![]() However, we will still continue using Photomatix Pro for the tone mapping and blending dialogs because of the availability of a preview and histogram. The next version of our Lightroom plug-in will make the integration with Lightroom tighter by offering to set the alignment and HDR generation options from Lightroom directly, and also make it possible to automatically reimport the blended or tone mapped image into the Lightroom library. We believe that offering a good preview of the effect of blending or tone mapping is very important, which is why we use the dialogs of Photomatix Pro. The Enfuse plug-in does not provide a decent preview of the resulting image because the current version of Lightroom does not make it possible to build plug-ins like is possible with Photoshop unfortunately. Question: are you planning a version of photomatix that works more like the enfuse lightroom interface? I got this e-mail from the guys over at photomatix: I was wondering if it handled this kind of DR any better than PhotoMatix. It's also the reason I was asking your opinion about Enfuse. (please disregard the distortion and poor composition in these, they are crops from a 360º VR) Something you have obviously mastered already! I'm still struggling with the technique - trying to find an appropriate balance between efficiency and quality. Overexposed trim elements are the lesser of two evils for me but they are still evil! The trouble I am running into now is finding a way to ease the transition (quickly) between the two drastically different scenes. Instead, Id recommend something tailored specifically to real estate like Photomatix Essentials. That's why I still usually take the extra step of combining the best HDR blend once again with the best exterior exposure to come up with something that is less technically correct yet more pleasing to my eye. Both editing softwares require monthly or yearly memberships. When you absolutely have to have that balanced exterior view you need to push PhotoMatix very hard toward the dark end of the blend - which invariably produces dark window trim elements and an overall underexposed look to the interior altogether. I find this is where the limits of PhotoMatix really start to show. ![]() Its focus really is on natural-looking photos, and that’s not a bad thing unless you’re using HDR as an art form.Same here David. In terms of creative options, Photomatix Pro 6 doesn’t offer as much as its closest competitor. Those Fusion settings allow you to use the app for images that we started using HDR for in the first place: to span a huge dynamic range, such as when shooting real-estate photos. These include Tonal Balance, Tonal Compression, Details Enhancer, Contrast Optimizer, and multiple versions of the Fusion settings that are unique to Photomatix Pro. Tools now show a tooltip when you hover over them, with the top tab showing you the most important group of settings, i.e. ![]() Where it once used to be an amalgam of windows and panels, Photomatix Pro 6 now presents itself in a unified window with editing tools neatly organized in a left sidebar, and the many different HDR styles in a sidebar at the right. The major differences from earlier versions of Photomatix Pro are found in the interface. The new version comes with both Lightroom and Capture One plug-ins. I’m happy to say version 6 of this venerable program is still capable of creating the best HDR results, while also allowing for the “artistic” results some creatives want. Photomatix has always been focused on creating the most natural-looking HDR images, more so than its competitors (most are better at creating the typical and often ugly HDR assemblies). The app, now in its sixth version, has been updated with an interface that looks more modern while the features are still the ones that earned it a first place among these apps a decade ago. For at least a decade, Photomatix Pro from HDRsoft has been one of the best HDR image editors. ![]()
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